GL/COMS 2200 3.0 "computer tools for communication" Fall 2024

Instructor information

Instructor: James (Jamie) Roberts
Meeting times: York Hall 030A, 6:30 P.M. Mondays
Please note that this is a course that is delivered in person on campus. Watch this space for any updates on how the course is delivered.


Please also note the following:

Phone: (519) 240-7098 (cell).

Office Hours: Office hours are Friday afternoons 3PM-4PM in C222, by appointment, by phone or by Zoom / FT / other video conference

email: jhroberts@rogers.com (preferred); jamier@yorku.ca (backup and emergency only)

Zoom and remote technology

When we meet remotely, then several platforms will be used in this course, (the web, Zoom, and so on) through which students will interact with the course materials, the course director, as well as with one another. Please carefully review the syllabus (and especially the technology section) for more specific information.

Technology requirements for the course:

This is a class that focuses on training you in a number of different computer software tools, in addition to providing analytic resources to use those tools wisely.

Consequently, you need to have a computing platform capable of hosting the software we will be working with in the course. We have this equipment in the lab at Glendon in YH 030A.

If you want to work outside of the lab / classroom, you need to have a computing device that can:

In class I will use Adobe Creative Cloud versions of Photoshop, Audition, and Premiere Pro, which we (should also) have installed in the classroom. If you have the means and the desire to get a Creative Cloud subscription, you can do that, too.

Many concepts among programs are the same or similar, as they are among different word processors, so if you understand editing on an audio timeline in Audition, you will understand it in multiple programs, for the most part, even if fine details vary.

Course description--overview

Calendar description: "This course teaches computer applications used in communication for an understanding of computer and Internet architecture, the use of databases for communication, advanced tools in office and collaborative work, with a critical eye to issues like security, accessibility and multi-platform communication."

Course summary

Communicating effectively today requires an understanding of the specific role computers play in mediating our messages, from the use of simple applications to social media and emerging communication platforms. In this course, we examine the effects of computerized media to focus on both the technical and culturally symbolic aspects of emerging electronic forms of communication.

The course will begin by outlining notions of media, and then examine, practically, new infrastructures for communication. Since technology always implies the skillful use of tools, we will ultimately focus on building the analytic and practical heuristics you need to become better, more aware, communicators.

Topics

In addition to the practical side of image, audio, and video manipulation, the following topics will be covered in the course:
• What do we mean by media, and by digital media?
• Fundamental applications and platforms, and AI image generation
• Culture, symbols and technology
• Social media and interpretation
• Reality, representation, and technology
• Mobility and ubiquity of media
• Creating, organizing and publishing multimedia: audio, image, video
• Data, Big Data, and you: public and private space
• Narrative and digital story-telling

Course policies & grading summary (also in the course table, below)

• 45% for analytic assignments
• 25% "mid-term" test
• 25% final project
• 05% participation in-class

Late submission policy: Students are expected to deliver all assignments on time, and this means that though can complete the courses at your own pace, there are time windows where you need to complete assignments.

If you need an extension--which I will only grant for good reasons--please arrange it with me in advance of the original due date window.

York’s grading scheme

Letter

Point Value

Percentage

Definition

A+

9

90-100

Exceptional

A

8

80-89

Excellent

B+

7

75-79

Very Good

B

6

70-74

Good

C+

5

65-69

Competent

C

4

60-64

Fairly Competent

D+

3

55-59

Passing

D

2

50-54

Barely Passing

E

1

40-49

Marginally Failing

F

0

0-39

Failing

 

Important course information for students

All students are expected to familiarize themselves with the following policies and procedures, available on the York Senate Committee pages about Policies, Procedures and Regulations, including:

Hyflex session information

Hyflex sessions are digitally transmitted and may be recorded to support teaching and learning in the classroom. As a result, York University may collect your image, voice,
name, personal views and opinions, and course work under the authority of The York University Act, 1965, and for use in related educational purposes.

Students who participate in a Hyflex session are consenting to have their video or image transmitted and/or recorded. If you have concerns with such transmission or recording, sit in the
designated seating area which is outside of the camera range. In addition, students who participate orally are consenting to have their voices, personal views and opinions
transmitted and/or recorded.

If you do not consent to the transmission or recording of your voice, please use the text-based chat function communicate during class. Students
are not permitted to use any third-party software or application to record a transmitted Hyflex session. If you have any questions about the collection or use of your personal
information, please contact your instructor or the Privacy Office at info.privacy@yorku.ca.

Academic Integrity

In this course, we strive to maintain academic integrity to the highest extent possible. Please familiarize yourself with the meaning of academic integrity by completing SPARK’s Academic Integrity module at the beginning of the course. Breaches of academic integrity range from cheating to plagiarism (i.e., the improper crediting of another’s work, the representation of another’s ideas as your own, etc.). All instances of academic dishonesty in this course will be reported to the appropriate university authorities, and can be punishable according to the Senate Policy on Academic Honesty. More advice is available at https://www.glendon.yorku.ca/career-skills-centre/academic-intergrity/

Course Policy on Generative Artificial Intelligence (AI tools)

According to York’s Senate Policy on Academic Honesty, using AI apps such as such as Gemini, ChatGPT, GPT-3,
DALL-E, among others to complete academic work without your instructor’s knowledge or permission,
is considered to be a breach of academic honesty. More specifically, using text-generating tools (such
as ChatGPT) would be considered to be cheating (Senate Policy, section 2.1.1) and using imagegenerating
tools (such as DALL-E) would be considered to be plagiarism (Senate Policy, section 2.1.3).

You may find that certain instructors will allow the use of these tools for certain assessments, yet
others will not allow their use. If you’re not sure whether using an AI app for your academic work is
acceptable, it is recommended that you:

Additionally, you are encouraged to keep all of your research notes and draft versions of your work.
You may be asked to present these if it is suspected that an AI app was used to help complete your
work. These drafts can be used to show how this work developed, and to provide evidence that the
work is your own.

Specific uses of AI / ML for this course:

Artificial intelligence (AI) / Machine Learning tools have quickly become ubiquitous for many tasks. In this course, we will directly engage with emerging ML technologies, and explore why and how they work as a writing and communication tools. For many of the assignments, we will be using and analyzing AI assistance.

However, for this course, the use of AI tools (and any external aid) is strictly prohibited during the midterm test.

Because this course focuses on effective written communication, students are not restricted from using AI tools for other assignments and discussions in this course as long as the following two conditions are met:

1. While generative artificial intelligence (AI) – specifically, ChatGPT or Bing chatbot – can be used in the completion of written assignments and contributions to the online discussions, it will be used with the expectation that you use the AI tool to think with you, but not for you. AI tools are primarily developed for “natural language modelling” (speculating on how to put sentences together) and not for specialized research and analysis. None of the content provided by AI is vetted or reliably cited. AI tools often produce erroneous or overly generalized knowledge when it comes to facts, even though they are improving all the time. This means it is inherently risky for students to use them in assignments. The AI tool may give you a place to start your research or point you in new directions, but usually they will not be sufficient to successfully complete an assignment, and in this course, the focus will be on what makes a generated response more or less appropriate for professional communication.

2. The use of generative AI should be documented and cited. In discussions, simply put in brackets after your answer “(this answer [or parts of this answer] were generated by ChatGPT [or Bing])”. Credit the AI whenever you use the tool to generate text used in your assignment. Here is an example of how to cite in a footnote ChatGPT in the Chicago Style: · Text generated by ChatGPT, March 7, 2023, OpenAI, https://chat.openai.com/chat.

Use of generative AI outside these two conditions will constitute academic dishonesty under York University’s Senate Policy on Academic Honesty.

As a student in this course, it is your responsibility to understand when and how generative AI tools can be used to complete your assessments and activities. If you do not know whether an online resource or tool can be used in this course, please contact your instructor for guidance.

Note on evaluation for assignments using AI: When evaluating your work with generative AI, I will be assessing the quality of your critical reflections and original contributions in accordance with York University’s description of grades and grading schemes.

When using AIs, please be aware of their inherent technical limitations. We will discuss most of these during the course, too.

Some of the key limitations include:

1. Lack of domain-specific knowledge: ChatGPT is trained on a large corpus of data from the internet, which means it may lack in-depth knowledge of specific academic domains or specialized terminology. This limitation can hinder its ability to provide accurate and contextually appropriate responses for assignments in specific fields.

2. Difficulty in handling ambiguous queries: ChatGPT may struggle to interpret and respond to ambiguous or poorly formulated queries. It relies on statistical patterns learned from training data, and when faced with ambiguity, it may provide inaccurate or irrelevant information. This limitation can lead to misunderstandings or misleading answers in assignments.

3. Potential biases in training data: AI language models like ChatGPT are trained on vast amounts of data from the internet, which can contain biases present in the text. These biases can manifest in the form of unfair representations, stereotypes, or skewed perspectives. Depending solely on ChatGPT for assignments may inadvertently perpetuate or amplify such biases, leading to ethically problematic outcomes.

4. Challenges in ensuring reliability and accountability: ChatGPT generates responses based on statistical patterns learned from training data, and it may occasionally produce incorrect or nonsensical answers. The lack of transparency in the decision-making process of AI models makes it challenging to hold them accountable for errors or verify the accuracy of their responses. Relying solely on ChatGPT for assignments may compromise the reliability and credibility of the academic work.

5. Lack of transparency in knowledge provenance: ChatGPT does not show users where it found its information, so users cannot go directly to that information to assess its viability and quality. In other words, ChatGPT does not “show its work” unlike other internet sources, such as Wikipedia.

6. Limited control over generated content: While efforts have been made to improve control over the outputs of AI language models, including ChatGPT, there can still be instances where the generated content is inappropriate, offensive, or unethical. This limitation can pose challenges when using ChatGPT for assignments, especially when dealing with sensitive or controversial topics.

7. Inability to engage in meaningful dialogue: ChatGPT is primarily designed for short, context-specific responses and lacks the ability to engage in sustained, meaningful dialogue. It may struggle to ask clarifying questions or seek additional information to provide more accurate and comprehensive answers. This limitation can hinder the depth of analysis and critical thinking required in university course assignments.

8. Dependency on internet connectivity and platform availability: ChatGPT typically operates as a cloud-based service, which means it requires a stable internet connection and access to the specific platform hosting the model. In cases where internet connectivity is limited or the platform is unavailable, students may face difficulties in utilizing ChatGPT for their assignments.

Given these limitations, it is crucial to critically evaluate the use of ChatGPT in university course assignments, considering the specific requirements, subject matter, and desired learning outcomes. Augmenting ChatGPT with human guidance and critical thinking can help mitigate these limitations and ensure a more comprehensive and reliable approach to assignments (parts of this section of the syllabus were generated using ChatGPT, July 11, 2023, OpenAI).

Messaging applications

Group messaging platforms, such as Discord or WhatsApp, can be helpful tools that connect students and support learning. However, such tools can lead to academic honesty violations when students share or use answers to homework tasks, quizzes, tests, or exams, or when students collaborate on individual assignments.

According to York’s Senate Policy on Academic Honesty these behaviours may lead to a penalty. Moderators of these groups are required to clearly communicate the group’s purpose and to remind students of the expectations for academic honesty. Being a member of such a group is not a breach of academic honesty or any other university policy. However, if you witness academically dishonest behaviour, it is strongly recommended that you leave the group. If you are unsure whether the behaviour is a violation of academic honesty, check with your TA or instructor. For detailed information about expectations for academic honesty, please refer to York’s Senate Policy on Academic Honesty.

Homework Help Sites

According to homework sites (such as Chegg), their services are intended to support students’ understanding of course material. Despite this, cheating occurs on tests and exams when students post
their test or exam questions to these sites during the assessment in order to obtain answers from one of their experts. Using the answers provided is a breach of academic honesty, according to
York’s Senate Policy on Academic Honesty. If you're struggling with course material, understanding expectations, or in any other way, reach out to your instructor or TA instead of relying on homework
help sites to acquire assessment answers. For authorized resources and sources of help at York, please visit: https://www.yorku.ca/unit/vpacad/academic-integrity/student-resources/.

Contract Cheating

Contract cheating occurs when a third party completes a student’s work, and the student then submits that work as their own. Third parties can include: freelance academic writers or tutors, online essay
writing companies, friends, classmates, or even family members. Contract cheating is considered to be a serious type of academic dishonesty that carries severe penalties. Besides penalties imposed by the university, contracting a third party to complete academic work carries the additional risks of identity theft and blackmail. If you are unsure whether a certain resource is a legitimate source of help, check with your TA or instructor. For authorized resources and sources of help at York, please visit: https://www.yorku.ca/unit/vpacad/academic-integrity/student-resources/. As well, for detailed
information about expectations for academic honesty, please refer to York’s Senate Policy on Academic Honesty.

Unauthorized Collaboration

Unauthorized collaboration occurs when students work together on assessments without their instructor’s permission. This can include working together to solve homework problems, comparing
their homework, test or exam answers, collaborating to complete assignments, or having someone else write or revise an assignment. Sometimes collaborating on assessments with other students is
acceptable, yet at other times, individual effort is required. This can vary by course, instructor, or assessment. Even when it comes to group assignments, individual work may be required at different
stages. If you are unsure whether collaborating on assigned work is permitted or the extent of collaboration that is acceptable, review the instructions for that assessment, and/or ask your instructor
or TA. Note: even if collaboration on an assessment is permitted, it is never acceptable copy someone else’s work or allow them to copy yours.

Plagiarism

Plagiarism is defined as misusing another person’s published or unpublished work by presenting their ideas, writing or other intellectual property as one’s own without proper acknowledgement (Senate
Policy on Academic Honesty, section 2.1.3.). There are a number of acts that are considered to be plagiarism, for example:

Although plagiarism is often thought to involve words and ideas, it can also involve drawings, paintings, photographs, programming code, statistics, presentations, musical scores, among other types of
content. Even if the act of plagiarism was unintentional, you can still receive a penalty. To avoid plagiarism, keep good track of any outside sources you use, and ensure that you cite sources properly.
For more help on how to avoid plagiarism, contact the Library, Writing Centre, or your instructor or TA.

Content Sharing Sites (e.g. CourseHero, OneClass, StuDocU, etc.)

For information about content sharing sites, including a syllabus statement, please refer to this page:
https://copyright.info.yorku.ca/students-reuse-of-teaching-materials-from-york-courses-2/.

 

Course organization, assignments, and readings

session, with guideline dates
objectives & outcomes
lectures, readings and assignments

September 09

Introduction to the course, definition of terms, and course outline



 

--understand the course objectives, technology requirements, marking scheme, and related course mechanics

 

Course overview

Mentioned in the kick-off: Non-Fungible Tokens (NFTs), and DALL-E 2, Gemini:

Image generation

History: NFTs explained (sort of)

A better, more in-depth explanation (still on CNN)

CNN buys an NFT Watch the video--it's pretty good. The user experience of buying an NFT (and btw, the first "Tweet" sold already for about $US 3 million :) Who cares now?

AI and image creation with DALL-E 2

Discussed: Karsh photograph / portrait of Winston Churchill stolen in Ottawa; replaced by a fake!

September 16

Understanding media and digital media



 

--identify content and media

--understand the connections among content, media, and technology

 

 

Lecture on media:

Case study from static images and painting to moving pictures

sources used in the lecture:
1800s-- animation and the persistence of vision

1851-painting: Courbet “painting is an essentially concrete art and can only consist in the representation of real and existing things” (1861).reported here,,,

1825 -- First photography

ca 1870 - 1880: Eduard Muybridge's photographic motion studies and Etienne Jules Marey

early film search on YouTube for:

Revisiting painting: 1912 Marcel Duchamps
1912 Giacomo Balla

Other interesting and pertinent collections:

 

AI and art: Why AI isn't going to make art...(PDF)


September 23

Data and information manipulation:

Excel and other database tools (relational, SQL, noSQL, hierarchical)

 

eClass question 1 due (after you complete the practice exercise)

 

--understand the history and computational importance of tabular data

--create perspectives on data from Excel pivot tables, data sorts, formulae

--embed data convincingly in reports

Complete practice assignment 1:

data integration with Office & simple databases. The assignment is not graded, but please try to complete it in-class tonight.

  1. Download the sample Excel order data from Contexture.com
  2. Arrange the data to show all orders from the Central Region, by sales reps Gill and Jardine
  3. Create a reasonable data chart (a visual chart in Excel) showing the number of different items sold by those reps. Include the total sales, but not the unit cost.
  4. You can create a pivot table to do this.
  5. Once you have the graph you want, create a Word document that integrates (copies) the data and the chart with a short paragraph summary explaining the data.

    We'll discuss results generally in class.

Lecture: data, media, and manipulation

1) The importance of tabular data, and working with data in Excel
2) More complex data: organizing "relationship" data and data interchange

 

 

September 30

The design of quantitative information:

Communicating data graphics effectively

 

--understand and explain Tufte's notion of "visual elegance" and data richness

--understand how visual design can create narratives (convincing and misleading) from data

--distinguish relational databases from hierarchical databases

 

Read Edward Tufte:

from The Visual Display of Quantitative Information, chapter 9

Lecture and discussion:

1.Interconnected data: why did we start with Excel? Includes a theoretical overview, a last look at Excel, and an overview discussion of Assignment 1 (see below)
What happens when everyone's personal data is connected? When media is identifiable as data? A prophetic meditation from the 90s...

2. On Tufte's insight into visual representation, and on information graphics

Analytic assignment 1: due October 21 (15%):

  1. find a Web "infographic" you find either compelling--or confusing (see below)
  2. analyse the story it tells in terms of the actual data (sources), the data's representation (imagery and elegance), and its overall credibility. You can use Tufte's criteria for data elegance to help you.
  3. write the analysis in about 500 words. Include examples / citations from the graphic to explain your analysis and your argument

    "Best" infographics (updated 2018)
    Example "bad" infographics

    Note that the "best" infographics aren't necesarily good by Tufte's standards, as we pointed out in class.

  4. email me your assignment as a Word doc or PDF to jhroberts@rogers.com

 

October 07

Digital media dissemination:

Networks, the internet before the web, clients & servers

 

--understand the importance of networks to connect data and people

--identify common client and server applications

--explain issues of data security and potential violation


Lecture

1. The power of networks, text, and the birth of the Internet

2. Common elements of all digital media, Open Source Intelligence, privacy, and personal security

3. Common elements of all digital media: summary

Related optional resources: the good and bad sides of ubiquitous data

Reading week October 14

   

October 21

Assignment 1 due

Hypertext and media: HTML

Adobe Dreamweaver or a text editor (notepad, texedit, BBEdit (Mac)

 



 

--understand the fundamentals of structured content and markup languages (GML, SGML, HTML, XML)

--create simple HTML pages

--understand how the WWW is governed.

 

Lecture & demonstration: hosting / distributing media

1. Basic HTML editing

2. Connectivity and web governance. Let's change the look of this web site in real time by linking.

In-class: try the tutorials:

HTML & CSS tutorials

Note: if you don't have access to Dreamweaver, you can use Notepad (on Windows), or TextEdit on a Mac.

On both systems, to create an HTML file, just save the file as HTML. You need to do some special things on your Mac, though..

Mac setup:

You can download BBEdit, a full-featured text editor that can run in free mode indefinitely. But it's overkill for this course :) Still, it's made for editing HTML and other files.

TextEdit is included on every Mac. But by default, it's not set up for editing HTML files. There are some settings you need to turn off to create or edit HTML files as plain text files.

So, run TextEdit, then

  1. Click TextEdit... Preferences...
  2. Click New Document, and make sure you:
    1. select Plain text under Format
    2. check Smart quotes and dashes in rich text documents only
    3. uncheck Smart quotes, Smart dashes, Smart links, and Text replacement.
  3. Click Open and Save and make sure you:
    1. Check Display HTML as HTML code instead of formatted text
    2. Uncheck Display RTF files as RTF code instead of formatted text
    3. Set Opening and Saving files to Automatic under Plain Text File Encoding
    4. Select Unicode (UTF-8) as the encoding option under HTML Saving Options

Now you can edit plain text, and follow the tutorials.

Related resources--used in the lectures:

 

October 28

Image, culture, symbol & manipulation

static images & the web; Vectors and Adobe Illustrator; Photoshop and deep fakes

AI and media creation

 

 

--understand the difference, and know when to apply, bitmap vs vector image technology, (how programs like Adobe Illustrator allows for vector editing)

--understand and apply basic photographic choices (lighting effects on people, lens choice, colour balancing, composition)

--understand non-destructive editing, and Adobe-centric revision techniques (like layers).

--manipulate images with basic Photoshop/ Gimp tools, and know how to output them most effectively

--analyse the semiotic, symbolic and persuasive intent of sites, and especially how social media sites use content

 

Lecture and demo

1 bitmaps vs vectors, and Adobe Illustrator

2 Static images, Adobe Illustrator, continued, and social media

Resources in the lecture

Lectures & demo

On photography as a medium (It might help you take better pictures!)

Mentioned resources:

Image editing with the Gimp editor by Davies Design. Intro to layers. Other tutorials available online, like this comparison Gimp vs Photoshop

Try some of the manipulations with your own photos in Photoshop in-class.

Notice Adobe's use of AI algorithms to understand the "content" of the image (like my eyes, nose, mouth, etc...in manipulating the image)

Read

The future of image and video manipulation:

AI recognition of audio, video, or image data: try it yourself (seriously--at least watch the video)! Machine learning without code in the browser (YouTube)

From The Atlantic Monthly: The End of Reality (PDF) , A short, already-dated (2018), look at how AI algorithms are fundamentally changing how we work with, and consume, digita media.

How facial recognition software can be used by law enforcement and how it almost was used by the RCMP...

More on deep fakes and AI creation of images

Midterm review:

What we've covered so far in 2200 (PDF)

 

Assignment 2, due November 11 (15%)

  1. Pick a social media site that isn't discussed in the linked presentation (Persuasion and Social Media structures)
  2. Analyse the site in terms of the technology and tools you think it uses, it's symbolic structures, how you and others interact with it, and its overall persuasive purpose. Again, this should be 500-750 words in length, and use examples where possible to illustrate what you mean.

November 04

Midterm

 

due by email November 11



 

 

 

Here is the midterm (PDF). Please don't use AI / ML for this.

Send me your completed midterm as a PDF file or a Word doc to jhroberts@rogers.com by Monday, November 11, 11:59 P.M.

 

 

 

November 11

Digital storytelling and audio:

podcasts / audio creation, editing, and distribution; demo with Adobe Audition & Audacity

Assignment 2 due //

midterm due!

 

--understand the fundamentals of narrative and story-telling


--understand and apply basic audio editing techniques: choosing a microphone, editing in post: cutting, timeline manipulation, fading, compression, and more

--analyze and create podcast materials, streaming audio, and other networked forms of audio

 

Audio technology and capture audio editing and the timeline

Podcast and audio editing with Audacity, 2018, by Pat Flynn. Audacity hasn't changed much since 2018, and this shows multi-mixing.

BONUS:

Listen to this: The power of audio storytelling

Three pertinent podcasts:

Technology from the lecture:

 

 

 


November 18

 

Digital storytelling and video creation 1



 

--understand motion video and narrative projects

--Plan for the interaction of audio, video, images, and networks, and for lens and camera choices

--Create storyboards, other plans, and assets

 

Review of last week's class

Digital story telling and narrative: capturing video

Professional choices: lenses again!

Video creation with Camtasia

Resources in the lecture:

 

Assignment 3: due by November 29 (15%)

  1. Pick a subject for a video story you want to tell.
  2. Write a plan document for your story, using the resources below as a guide. The plan should be one or two pages at most.
  3. Make sure you think about the main point you want to make, the assets you'll need, and the overall style of your presentation
  4. email me your assignment as a Word doc or PDF to jhroberts@rogers.com

 


by November 25

Digital storytelling and video creation 2

Assignment 3 due November 29

 

--Understand and apply video basic editing techniques (timeline, transitions, audio and video manipulation)

--Revise and package media for video output on the web

 

Lecture & demo

Video timeline recap with Camtasia; basic editing and export with Premiere

How to tell a (digital) story:

December 02

 

Digital storytelling and the language of film



 

--critically analyse the construction and arrangement of digital film elements: the time and space of video, cutting and other editing elements, tone and perspective, music & audio


--understand how different film technical effects create persuasive, logical and emotional responses.

 

Lecture: the "language" of film

Course wrap-up and project questions

 

due by December 19

Final project (in lieu of final exam)

 

 

Final project:

due December 19, 2024

Create a 3-4 minute video that tells a story on a subject of your choice. Try to follow your plan, but if you change your story, then follow the models for creating a good story from multiple digital assets.

Note that you can use a variety of video editors to create your video. I recommend Camtasia, because there is a free trial, it runs on both Mac and Windows, and will only put a watermark on the final video.

  1. Create your video project and edit it with clips and other image, and audio assets.
  2. Render your video project to an MP4 file. Don't send me the project or the assets, just the final video. Since it's (probably) too large to send by email, you'll need to upload it by the due date.

    Requirements for YouTube are built-into Camtasia: MP4 file, 1280 x 720 pixels output (you can go higher with custom output, but it's not necessary).


  3. Post your video output to Dropbox, or Box, or host on YouTube, or some other hosting service so I can download it / or view it. Make sure you share it with me @ jhroberts@rogers.com:)

  4. email me the link to your uploaded / hosted video

 

Recommended texts

There is no required text for this course; we will use a variety of available texts from the Web (see table above)

Books for background ideas

Barthes, Roland. Mythologies (on cultural artifacts and symbolism. Dated but still very interesting and useful)

* Durant & Lambrou. Language and Media (good but outd valign="top"ated; highly recommended)

* Glieck, James. The Information: A History, A Theory, A Flood. (excellent historical overview of new media, communication technology, and information processing; highy recommended).

Holiday, Ryan. Trust Me, I'm Lying. (computer media manipulation and fake news before Fake News)

Postman, Neil. Amusing Ourselves to Death: Public Discourse in the Age of Show Business (mass media and manipulation)

Slade, Giles.The Big Disconnect: The Story of Technology and Loneliness.

Standage, Tom. The Victorian Internet. (networks, code, dissemination of information, 150+ years ago)

Stevens-Davidowitz, Seth. Everybody Lies: Big Data, New Data, and what the Internet Can Tell Us About Who We Really Are. Big data and web-based correlations

Academic Integrity

In this course, we strive to maintain academic integrity to the highest extent possible. Please familiarize yourself with the meaning of academic integrity by completing SPARK’s Academic Integrity module at the beginning of the course. Breaches of academic integrity range from cheating to plagiarism (i.e., the improper crediting of another’s work, the representation of another’s ideas as your own, etc.). All instances of academic dishonesty in this course will be reported to the appropriate university authorities, and can be punishable according to the Senate Policy on Academic Honesty. More advice is available at https://www.glendon.yorku.ca/career-skills-centre/academic-intergrity/